Sztuka spadania: Full Hegemony and Absolute Loneliness

Posted by admin on October 14, 2011 Leave a comment (5) Go to comments

nbsp;Then F has finally appeared.0 The big man is always in the back. The first lens is the photo of F who was playing the musical instrument in some time before. There are also with a small yellow duck toy and his flute and so on in the photo. Such a person, perhaps he also had a bright and clear character before, and perhaps also had a good childhood and even had loved art. But then what we can see is a pair of big dirty hands and the body of differentiation just like a savage. On the screen, he holding the photograph shows a child-like smile of satisfaction. F is undoubtedly pathological, pursuing of the art of death, twisting his body of variant, dancing following the dance of death, and feeling so great and exciting to his own art. With a sick face, coughing and wheezing after the dance, he has been terminally ill, both physical and psychological of him. But he has shed tears when he is taking a deep breath, and when he has found this, he immediately shacks his head to deny that the sad mood appeared unconsciously in his mind, but such sad mood is not for the soldiers, because he then quickly motions A to continue killing them.
The short film has been on its end here. F has given us the most space of imagination, about his past, about his present, as well as the sad mood suppressed by him. His life is boring, taking death as a game. In the initial ages, any dictator had been with growth just like us, but during the process that he set foot in this position as the dictator, he had to do many things and make much human conscience disappeared. When he reached full hegemony, it also means absolute loneliness.

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